Help! It's Time to Revise? Story Sprouts Creators Share Their Tips

Help! It's Time to Revise?

There comes a time in every determined writer's life that the final punctuation mark is set on the final page of the very first draft.

For quick, efficient writers, that moment may come quite quickly - perhaps days, even hours, for a picture book writer - or several weeks for a novelist. Worldwide, NaNoWriMo participants can look forward to a complete first draft in only 30 days every November.

For languid, meticulous, or easily distracted writers, the first draft may take years. I recently met an aspiring author who was decades into the story that ignited his passion for writing. While he had finished other manuscripts, the first remained elusive. Every syllable was lyrical, every word resounding, and yet, after more than 40 years with the manuscript, it was still incomplete, waiting to find its perfect first draft ending. I myself have notebooks brimming with incomplete first drafts, sometimes with beginnings so strong I'm paralyzed with fear to make a mistake and ruin the magic should I continue.

However, incomplete first drafts do not a published author make, so I push myself to move forward bravely. As every writer must.

But when the moment comes that the last i has been dotted, the last t crossed, the last period furiously embedded onto the final page of the first draft, what comes next?

The hopeful, yet naive, optimist living in all of us teases us with daydreams of getting "discovered," followed by instant publication and accolades.

Perhaps we imagine sitting in a coffee shop looking over that final page, when a literary agent looking for the next J.K. Rowling or Suzanne Collins peers over our shoulder and gasps, "By God, it's brilliant! The best I've seen. Tell me you're looking for representation!" and begs us to sign on with the promise of six, even seven figures dangling within our grasp. And we sign, and a publisher is so anxious to go to print that publishing calendars are bumped around and our book becomes an instant hit - called "life changing" - "one of a kind" - "the best thing since Gone With the Wind." And so we earn millions, and the fans love us, and we sign a movie deal, and we have first right of refusal over every line in the screenplay, and ... and ... and ...

Then we awake from our pipe dream and realize all we have done is put the last dot on a first draft of a story. And that is big - huge even - and we should celebrate and pat ourselves on the back for our accomplishment, but we find there are no mystery agents looking over our shoulder, and, in fact, the story is not even perfect. Actually, there are some holes. And funny transitions. And, oh, minor supporting characters that should play a bigger role, or who accidentally disappeared from one chapter to the next. And the voice is all mixed up. And ... and ... and ... we want to, nay we need to, fix it.

So, we shake ourselves off, and recognize that the author's toughest work is not actually in the first draft we wanted to celebrate so largely. It's in the revision, and that is when the real work truly begins.

How do we do it? How do we revise?

• First, go ahead and celebrate that first draft. Be proud of your accomplishment and give yourself a few days to smile a little bit brighter, step a little bit lighter, knowing that you've finished something!
• During your celebration, set the first draft to the side. Hide it for a few days to allow yourself some distance.
• Now, go back to your story and read through it a few times. You may want to read through it once without any judgement or mark-ups, just to get back into the rhythm and story.
• Then, pull out the red marker and be ready to write. In the beginning, ignore grammatical errors. This is not the time to copy edit your work - this is the time to revise. This is big picture stuff.
• Read through the draft again, and this time mark areas that don't quite work. Don't think about how to fix it yet, just mark it up with that red pen. Give it a question mark, or circle it. It might show a break in tone, or confuse the reader, or elicit questions. It might hide or reveal too much. It might inadvertently change tense or point of view and need some work to match the rest of the manuscript.
• At the same time, give yourself a star in places that work really well.
• Now, get in there and address your problem areas one at a time. Play around with deleting paragraphs or pages, or rewrite them, or move them around. You may find that your 10th chapter is really your first chapter, or that you accidentally changed point of view in one area of the manuscript, and you like it better for your piece. Make sure you've saved previous versions, so you are not afraid to play. Chances are, you'll make it better and you'll wonder one day what you were ever thinking with those first versions, but just in case ... it's good to have a back-up plan.
• You've heard it before - don't be afraid to kill your darlings. That doesn't just apply to favorite characters. The eloquent scene that doesn't fit the plot? Cut it. Put it in your inspiration drawer for a future story. Shake things up a bit. If there are parts of the story that lag, add some action or controversy to spice things up and keep your reader intrigued.
• Once you've been through a couple of revisions, take your story to a critique group and/or share it with beta readers - readers you trust to tell you the truth, but in a supportive way. One author I spoke with said that if three critique partners found a problem in the same place, there was a problem, and she needed to address it. Less than three, she'd take feedback into consideration but not necessarily feel compelled to act. More than three, there was a big issue.
• Take the feedback, sit on it, and revise again.
• Repeat, repeat, repeat, until you feel ready to search for that dream agent or get ready for indie publishing. Your story won't be perfect. But it *will* be ready, and you'll know exactly when "good enough" really is … good enough. And five years down the line, when you look back through more experienced eyes and see your amateur self staring back at you, you will not cringe. You will remember all the work, and you will pat that amateur on the back for having the guts to write, revise and get published.

What do I know about revision?

I am a freelance journalist, who has been producing articles for a local newspaper for more than three years now. First draft to revision often transpires in hours due to the quick turnaround. It can be stressful under a tight deadline, but I do not turn in an article assuming revision is my editor's job. It's mine. I have to make sure it's ready to go. Then my editor makes sure that there aren't any holes, the story fits in the space available, and grammar is up to par on style guides. This fall, I co-edited a writing resource book and anthology with the fabulous Writing Nut, Nutschell Ann Windsor, founder of the Children's Book Writers of Los Angeles. In the process, I was responsible for translating a one-day writing workshop that Nutschell planned and facilitated into a narrative form. I wrote and revised the narrative until I recognized it would just have to be ready. Imperfect, and duly beautiful, as it was - it was time to let it go.

As for the authors?

By the time the authors' (who created two stories based on the 10 writing exercises during the one day workshop) pieces reached me for editing, they had completed three revisions during the writing workshop. Changing up the point of view, as well as playing with the genre, were two of the exercises our authors used to uncover story holes during the revision process. The authors' revisions helped me understand their voices, and edit appropriately.

The book is not perfect - the entries are raw. Our writers composed in the moment. Our publishing schedule was fast, and the narrative is not flawless. But it is good, really good I think, and I am proud of our writers and what we accomplished together. I am proud to have my name on the cover of a quality endeavor.

For at a certain point, I realized, our writers who attended the workshop needed to see their work in print, and I would never reach perfection. But the resource would be strong, the voice unique, the exercises and tips interesting, and the contributions inspiring.

And that was "good enough."

STORY SPROUTS: CBW-LA WRITING DAY EXERCISES & ANTHOLOGY 2013

KINDLE & PRINT COPIES AVAILABLE THROUGH AMAZON

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